Vocabulary.com Blog Contributor
Ben Zimmer
Ben Zimmer is language columnist for The Wall Street Journal and former language columnist for The Boston Globe and The New York Times Magazine. He has worked as editor for American dictionaries at Oxford University Press and as a consultant to the Oxford English Dictionary. In addition to his regular "Word Routes" column here, he contributes to the group weblog Language Log. He is also the chair of the New Words Committee of the American Dialect Society.
With this year's American Crossword Puzzle Tournament just around the corner, there is no better time to consider that peculiar, vowel-heavy brand of English known as "crosswordese." Think you're a first-rate cruciverbalist? Quick: can you tell an anoa from an unau?
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Every writer knows the feeling: you've just released a carefully edited piece of prose into circulation, and when you take another look you cringe at the sight of a typo that you missed. With online writing, typos can very often be fixed without anyone even noticing. Printed errors usually require red-faced corrections. But don't feel too bad: imagine if your typos were etched in granite for all to see!
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Today marks the bicentennial of two of the most influential minds of the modern age: Abraham Lincoln and Charles Darwin. Besides sharing a birthday, Lincoln and Darwin also shared an eloquence with the English language, despite the very different prose styles of their work. In a new book, Angels and Ages, Adam Gopnik argues that this shared eloquence allowed them to impart their world-changing visions. But what about on a more basic level, that of the individual word? What lasting contributions did Lincoln and Darwin make to the English lexicon?
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Yesterday's Visual Thesaurus Word of the Day was mayonnaise, and the entry for it was a bit too terse for some readers: "This French word has enjoyed a handful of spellings since its first 19th-century appearance and merits an etymology of nearly 300 words in the OED, the gist of which is 'origin uncertain.'" There's nothing less satisfying in an etymological explanation than "origin uncertain," so let's explore what's behind those tantalizing words.
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Greg H. of Boston, MA writes in with today's Mailbag Friday question: "When President Obama was interviewed about Tom Daschle's decision to bow out of the nomination process for Health and Human Services, he gave this mea culpa: 'Did I screw up in this situation? Absolutely. I'm willing to take my lumps.' I understand he means that he's taking the blame for the situation, but where do the 'lumps' come from?"
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Today marks the 50th anniversary of the passing of Buddy Holly, who died in a plane crash along with Ritchie Valens and J.P. "The Big Bopper" Richardson. Rather than glumly mope about "The Day the Music Died," as Don McLean dubbed the tragedy in the well-worn song, "American Pie," I'd prefer to reflect on what a tremendously gifted singer/songwriter Holly was. He had a beautiful touch with the English language (sung in his signature hiccupy style), and in his lyrics he found ways to take familiar words and phrases and innovatively shape them into his own. Here are my brief thoughts on the language of four of his songs.
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A blog commenter recently described the linguistic situation in her household as "a mixmash of English and German." As she later explained, the word mixmash was invented by her daughters to describe their experiences growing up bilingual. Now, mixmash is not a word you'll find in any dictionary, but it's easy enough to appreciate it as a mash-up of mix and (mish)mash. It's a wonderful example of how speakers of English are constantly mixing and mashing the lexicon, and yet somehow we manage to understand each other just fine.
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